Library Journal: Two young kids witness a backwoods execution-style murder in their rural Idaho hamlet. Worse yet, the killers—four retired cops from Los Angeles—see the children and begin a dogged pursuit. Struggling rancher Jess Rawlins is surprised to find Annie and William hiding in his barn, but he's wise enough to believe their lurid tale. He also astutely recognizes the goodness of a stranger in town: Eduardo Villatoro, a retired detective, is determined to put one last unsolved case—a big one—to rest. Villatoro's case is the final nail in the coffin for these bad cops, and it's up to Jess and him to save the children. Readers will be anticipating the final shootout long before the bad guys catch on. Popular series author Box's (Free Fire) first venture into stand-alone territory is a quick, satisfying, and straightforward—if fairly transparent—read. It should appeal to readers looking for a contemporary Western with an infusion of thriller; Michael McGarrity's books come to mind. Recommended for larger popular collections. [See Prepub Mystery, LJ 9/1/07.]—Teresa L. Jacobsen, Solano Cty. Lib., Fairfield, CA

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Publishers Weekly : At the start of this overly complicated thriller from bestseller Box, his first stand-alone, siblings Annie and William Taylor, ages 12 and 10, witness a gruesome murder in the woods outside the small Idaho town of Kootenai Bay, nicknamed Blue Heaven for its abundance of retired LAPD officers. Annie and William make a run for it after they're spotted by the killers, a group of crooked LAPD cops who retired to Idaho eight years earlier after pulling a complicated heist in California that left a man dead. Rancher Jess Rawlins becomes the children's only hope of survival after they take refuge in his barn. Jess must stay one step ahead of the killers, who have volunteered to help the local authorities investigate the children's disappearance. Annie and William's mother is frantic, as the scheming officers try to persuade her the children are gone for good. A subplot involving a retired California detective pursuing the original robbery case adds too many extra characters and undercuts the suspense. Readers expecting the same brisk story lines as the author's Joe Pickett crime novels (Free Fire, etc.) will be disappointed. 100,000 first printing; author tour. (Jan.)

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Library Journal : Starred Review. Hart's sophomore effort surpasses his debut, the multi-award-nominated King of Lies. A small North Carolina town is torn apart when a power company wants to buy up all the farmland on the river; some residents cling to their bucolic way of life, while others see only dollar signs. Adam Chase's family has owned the largest parcel in the area for centuries, and his father has no desire to sell. But tempers flare, and soon a young woman is severely beaten, a body is found on the Chase farm, and Adam is the chief suspect. Newly arrived after five years away, Adam is the town pariah. His stepmother had accused him of murdering a family friend, and while the court acquitted him, his family and friends did not. While time has softened some, others seem ready to unleash their stored-up anger. This work is reminiscent of Raymond Chandler's novels, hard-boiled and rich with evocative metaphors. Complex relationships blur the lines between friend and foe, heightening the suspense in this intricate, haunting story of a family in crisis, and the writing is simply superb. Highly recommended for all fiction collections. [See Mystery Prepub Alert, LJ 6/1/07.]—Stacy Alesi, Boca Raton, FL

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Publishers Weekly : Starred Review. Hart surpasses his bestselling debut, The King of Lies (2006), with his richly atmospheric second novel, which offers a tighter plot, more adroit pacing and less angst. Five years earlier, Adam Chase was arrested for murder, largely on the basis of his stepmother's sworn testimony against him. He was acquitted, but nearly everyone, including his father, still thinks he did it, and Adam's deep bitterness has kept him away from home ever since. Now, at the request of a childhood friend, he's back in Salisbury, N.C., where all the old demons still reside and new troubles await. The almost Shakespearean snarl of family ties is complicated by a very modern struggle between economic progress and love for the land, between haves and have-nots. Throughout, Hart expertly weaves his main theme: that by their freedom of choice, humans are capable of betrayal but also of forgiveness and redemption. This book should settle once and for all the question of whether thrillers and mysteries can also be literature. 150,000 first printing; 15-city author tour. (Oct.)

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Library Journal: Starred Review. Besides telling a killer story, Parker's latest thriller hauntingly evokes a time (the 1960s) and a place (Southern California). The Becker boys (Andy the homicide reporter, Nick the cop, and David the minister; Clay was killed in Vietnam) grew up near the Vonns, a troubled, abusive family burdened with more than its share of tragedy. When 19-year-old beauty queen Janell Vonn, the essence of a California girl, is found beheaded in the abandoned SunBlesst packing house, the Becker brothers begin their separate quests to find her killer, finally bringing him to justice while realizing redemption for themselves. But 40 years after a conviction, it becomes apparent that the Beckers were wrong, very wrong. Drenched in lust, love, betrayal, and unfulfilled promise, California Girl features masterly plotting, smart prose, and memorable characters. Another excellent work from the author of Cold Pursuit; highly recommended. —Rebecca House Stankowski, Purdue Univ. Calumet Lib., Hammond, IN

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Library Journal: In his latest Inspector Rebus outing, Rankin (The Falls) demonstrates once again his mastery of intricate plotting and complex characterizations. This time, the heart of moral darkness that he explores lies not in the city of Edinburgh but in the Scottish police department itself. After throwing a cup of coffee at his superior, the maverick Rebus is sent to a remedial course at the police college with several other trouble-making cops: "Tulliallan was their last-chance saloon. They were here to be resurrected." But Rebus has a secret mission: to determine whether several of his classmates, long suspected of being corrupt, stole drug money and committed other crimes. Unfortunately for Rebus, as part of their coursework he and his fellow officers are assigned an old, unsolved murder that may have involved illegal actions by Rebus. At the same time, his prot‚g‚, Detective Sergeant Siobhan Clarke, is investigating the killing of an art dealer that may or may not be connected to Rebus's assignment. Rankin skillfully juggles all the plot lines, tying them together in a logical and satisfying conclusion. Highly recommended for most mystery and crime fiction collections.-Wilda Williams, "Library Journal"

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Publishers Weekly: Rankin's moody Inspector John Rebus, unorthodox pride of the Edinburgh police, begins this latest installment in hot water. He's been sent back to the police college for "retraining," with a group of other "resurrection men," for throwing a cup of coffee at a superior in a moment of frustration. It soon becomes clear, however, that the police brass have their own agenda for Rebus. Some of his fellow officers are suspected of being on the take, and it's his mission-should he accept it-to try to infiltrate their schemes, perhaps even encourage them. Meanwhile, a murder he and the edgy Det. Sergeant Siobhan Clarke have been investigating has turned up some curious links with an apparently Teflon crime boss Rebus has been after for years. The two cases gradually come together in Rankin's skillfully woven plotting, full of his trademark tough, oblique dialogue and sudden moments of touching warmth. The book's only drawbacks are that it seems a little overextended, and that the final bloody climax lacks something in conviction, if not in tension. This isn't one of Rankin's top efforts, but even coasting, he leaves most police procedurals at the gate.

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Publishers Weekly : Despite the hype, this eighth novel featuring New York PIs Lydia Chin and Bill Smith from Shamus- and Anthony-award winner Rozan isn't quite up to her usual high standard. After 2001's Reflecting the Sky (which Chin narrated), it's Smith's turn to tell the story, which here concerns his teenage nephew, Gary Russell, the athlete son of his estranged sister Helen. When Gary is arrested for pick-pocketing in Manhattan, the boy asks for his uncle's help. Gary denies running away from his Warrenstown, N.J., home he was doing something important. Then the boy vanishes, drawing Smith and Chin into a nightmarish case in which a small town's obsession with its high school football team overwhelms standards of justice and morality. When a teenage girl who dated Gary and was selling drugs to her classmates dies mysteriously, the police suspect Gary. He's disappeared during Warrenstown's most important week, when the football team trains at an intensive sports camp culminating in a game that attracts college scouts. Then another teenager, a despised nonathlete, disappears. Two computer whizzes join the detectives in finding the answers to present crimes by solving an old murder. This disturbing, suspenseful, but often shrill and repetitive novel allows the author to reveal Smith's troubled childhood as he, with Chin's encouragement, begins to understand it. In showing how we set priorities that can create monsters, Rozan also points to deep flaws in our society. Agent, Steve Axelrod. (Feb. 25)Forecast: With a national author tour, an excerpt in the paperback edition of Reflecting the Sky (Jan.) and supportive blurbs from the likes of Robert Crais, Dennis Lehane, Linda Fairstein and Greg Rucka, this title should keep Rozan's momentum going.

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Publishers Weekly : Parker (Red Light) lowers the volume from his usual roar and adds a subtle backbeat to this bittersweet thriller about a man's anguished search for his father's killer. Joe Trona is a dutiful son, but horrible facial scars have made him an outcast. He lived in an orphanage until he was adopted at five by Will Trona, a powerful politician in Southern California's Orange County. As a hulking teenager and later as a young man, Joe became Will's right-hand man running errands, extracting revenge on enemies, protecting his flank all the while living a lonely life because of his disfigurement. One night, Joe drops his guard for a moment, and Will is gunned down. Despite aggressive investigations by the FBI and sheriff's department, Joe seeks his own vengeance. He starts sifting through his father's life and gradually discovers that Will brokered secret deals, blackmailed enemies, had extramarital affairs and in his final days appeared to be involved in the kidnapping of an 11-year-old girl. Joe's investigation becomes a personal voyage, casting light on the dark corners of his own past and allowing him to start overcoming the crushing indignity that his injury has forced him to endure. Capped by a violent yet poignant finale, the plot is loaded with familiar Parker themes a faithless government, the heavy hand of big business and the corruption of the wealthy. Parker's tone, however, is more pensive this time. He crafts an intricately layered story reaching beyond his usual domain into more personal territory, at times evoking the work of Ross MacDonald. (Apr. 25)Forecast: A teaser chapter in the paperback of L.A. Times bestseller Red Light, a $150,000 marketing campaign and a five-city author tour will speak up for what is perhaps Parker's most ambitious work to date.

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Library Journal : A trip into the woods proves a learning experience for 13-year-old Harry in this latest coming-of-age mystery yarn from Lansdale (Freezer Burn). When Harry and his sister Thomasina (Tom) strike out into the woods, they confront not only the myth of the Goat Man, who is said to inhabit those woods, but also some myths about the nature of justice and race in their 1930s East Texas community. Finding the dead and mutilated body of a black prostitute is only the first discovery along the road to growing up, though. As the body count mounts, the only solution open to the challenged community is to make an old black man into the scapegoat, though he is obviously incapable of the grisly killings. This leads to a satisfactory but untidy resolution from which Harry emerges as sadder but wiser. The book, a combination of William Faulkner's Intruder in the Dust and Harper Lee's To Kill a Mockingbird (with a sizable portion of pure Lansdale thrown in), just might at long last bring premier storyteller Lansdale to the attention of an even broader audience. For all public libraries.

Bob Lunn, Kansas City P.L., MO Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : In his latest suspense thriller, prolific yarn-spinner Lansdale, best known for his offbeat series featuring the mismatched East Texas Sherlocks Hap Collins and Leonard Pine (Bad Chili), presents a different voice in a coming-of-age story set in the early years of the Great Depression. Lansdale's 80-something protagonist, Harry Crane, looks back to the day in 1933 when he was 13 and, with his nine-year-old sister, Tom (Thomasina), he found the mutilated corpse of a black prostitute bound to a tree with barbed wire near their home along the hardscrabble bottomlands of the Sabine River. The discovery presents their father, Jacob Crane--a farmer and barber eking out a living as the town constable--with a nightmarish investigation. News travels slowly in the days before television, but Jacob learns from the black doctor who performs the makeshift autopsy that two other mutilated bodies have been found over the last 18 months. Because the victims are black and "harlots," no one in the county much cares. But when the body of a white prostitute is discovered, a rabid mob lynches Moses--a black man who has been something of a surrogate father to Jacob--despite Jacob and Harry's heroic efforts to save him. Predictably, another body is soon discovered. Lansdale is best when recreating the East Texas dialogue and setting. Readers will not have to work hard to unearth comparisons to characters in To Kill a Mockingbird, but gruesome details of the murders keep the novel from being labeled a period piece. Folksy and bittersweet, though rather rough-hewn and uneven, Lansdale's novel treats themes still sadly pertinent today. (Aug.)

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School Library Journal : Adult/High School-This thought-provoking book portrays an accurate, disheartening picture of old-time Southern bigotry. Harry Crane, now an elderly resident of a nursing home, recalls a watershed event from his childhood in East Texas in the 1930s. The narration begins when he, nearly 12, and his 9-year-old sister discover the mutilated body of a black woman tied with barbed wire to a tree in the Bottoms, the swampy forest wilderness supposedly stalked by the "goat man" in search of children to eat. Harry's father, a small farmer, barber, and constable, begins an investigation into what turns into a series of mutilation murders of black women. Hostilities become palpable when the fear that a "white woman may be next" begins stirring in the town residents. Jacob Crane, a reasonable man trying to cope with an investigation beyond his skills and the unreasonable bigotry of his neighbors, faces a crisis that nearly destroys his family. The story is compelling, in a manner similar to Harper Lee's To Kill a Mockingbird. In fact, there are many parallels to that story, in the lessons learned by Harry as to what makes a monster, what really constitutes monstrous acts, and what being a hero really means. Harry also learns of the deep reserves of strength in himself and in his family. This is a wonderful book that will capture and educate young adults about a shameful time in this country's history and the strength of an individual to make a difference.-Carol DeAngelo, Kings Park Library, Burke, VA

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Library Journal : In order to escape the death penalty, a serial killer agrees to show authorities the grave of one of his victims in the Sierra Nevada mountains. Leaving a fretful detective husband behind, inveterate reporter Irene Kelly follows the taunting psychopathic killer, his guards, guides, two forensic anthropologists, a photographer, and one amazing canine into the wilderness. A traumatic reversal, however, turns the already risky journey into a lethal game of the hunter and the hunted. Detailed surroundings, chilling prose, and an unforgettable, "isolated-with-a-killer" plot recommend this for all collections.

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Publishers Weekly : In her seventh outing (after Liar, 1998), journalist Irene Kelly is part of the investigative team on the hunt for serial killer Nicholas Parrish's many victims. Their graves are in California's Sierra Nevada mountains, and Parrish, having entered a plea bargain, is there too, leading the team to the women's corpses in exchange for a life sentence instead of the death penalty. But Parrish has planned a surprise or two. When a grave explodes, most of the team are killed, Irene flees, and the killer escapes. Back home, Irene continues to work at the behest of Gillian Sayre, the daughter of one victim. Her hunt for Parrish is made considerably easier by his growing obsession with her. A cunning psychopath with a calm demeanor, Parrish heavily resembles Hannibal Lecter. Rather than eat his victims, however, he tortures and dismembers them. Burke spends the first third of the novel overbuilding Parrish's reputation, so by the time she actually depicts his depravity the horrors are a bit anticlimatic. Later, the killer's mysterious accomplice, "The Moth," will be too easily identified by readers, especially after Burke unsuccessfully labors to mask his/her gender. And Parrish is only generically, not memorably twisted. Though Irene and other characters are well wrought and realistic, too many red herrings are introduced, all meant to distract the reader from the true evil, which, once fully revealed, just isn't quite evil enough. (Sept.)

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Library Journal : Is solitary eccentric Herbert White involved in the murders of two young women, or is his short-term memory failure really pathological, as he claims? As in the author's acclaimed first novel (In the Deep Midwinter, LJ 12/96), this psychological mystery is set in Minnesota in the mid-20th century. Wesley Horner is a seemingly hardened police lieutenant with a tragically fragmented family. The triumph of his pursuit and capture of pitiful suspect Herbert is cut short, however, when Horner's new sweetheart thinks that the man might be innocent. Fellow officer Welshinger is a bit too conscientious in extracting a confession from White. Damning evidence telegraphs to the reader the identity of the real murderer, since the real point is not whodunit but whether or not the truth will emerge. A literary treat for procedural fans, this belongs in all libraries.

Margaret A. Smith, Grace A. Dow Memorial Lib., Midland, MI Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : By opening with a long epigraph from St. Augustine's Confessions (in the original Latin, no less), Clark's ambitious, atmospheric rumination on good, evil and the gray area in between announces intentions far loftier than those of the standard dime-store detective novels to which the book bears an intentional but superficial resemblance. Set in St. Paul, Minn., in the bleak winter of 1939, this high-brow thriller retains enough lowdown grit and grime to qualify as both a suspenseful read and a surprisingly touching character study. When two young "dime-a-dance" girls are murdered, tough-as-nails homicide cop Lieutenant Wesley Horner hones in on eccentric recluse and amateur photographer Herbert White as the prime suspect. Looking like a cross between Humpty Dumpty and Paul Bunyan, and equally obsessed with Hollywood starlet Veronica Galvin and the voluminous scrapbooks and journals he keeps in order to compensate for his (narratively convenient) memory loss, White takes the fall with sympathetic dignity: astute readers will have fingered the real culprit many pages earlier. The true mysteries here are psychological: Horner's morally suspect relationship with teenage drifter Maggie is particularly fascinating. Having previously written a biography of James Beard (The Solace of Food), a cultural history of the Columbia River (River of the West) and a critically lauded first novel (In the Deep Midwinter), Clark here seesaws, most often successfully, between hard-boiled cliches and an earnest, self-conscious concern with the natures of memory and love. Author tour.

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Library Journal : Burke gives the beloved Dave Robicheaux (e.g., Cadillac Jukebox, LJ 8/96) a vacation and shines his talent on the vast, brooding beauty and inbred violence of rural Texas. Texas Ranger-turned-lawyer Billy Bob Holland must defend his illegitimate son, Lucas Smothers, on a murder rap. Billy Bob knows that backwater Deaf Smith, Texas, will eat Lucas for lunch--especially the East Enders, the town's pocket of elite kids. He mounts his defense with sporadic help from sexy cop/possible federal agent Mary Beth Sweeney. Some uniquely Southern weirdos wind up in Lucas's and Billy Bob's orbit, including newly freed and ax-grinding con Garland T. Moon. Along with an evocative sense of place rendered in the Burke tradition, Billy Bob's humanity suffuses every page with a warm, golden glow. Readers will undoubtedly fall for him as he lassos a child abuser in the center of town and argues with the ghost of his slain Ranger partner. Highly recommended. [Previewed in Prepub Alert, LJ 4/1/97.]--Susan A. Zappia, Maricopa Cty. Lib. Dist., Phoenix

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Publishers Weekly : PW gave a starred review to this "literate, compelling novel" about passion and tragedy in 1920s Cape Cod.

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Publishers Weekly : This Edgar Award-winning mystery turns on the relationship between a troubled journalist and a woman convicted of a gruesome murder.

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